Category: Arts

Country star Mickey Gilley, whose namesake Texas honky-tonk inspired the 1980 film Urban Cowboy and a nationwide wave of Western-themed nightspots, has died. He was 86.

Gilley died Saturday in Branson, Missouri, where he helped run the Mickey Gilley Grand Shanghai Theatre. He had been performing as recently as last month but was in failing health over the past week.

“He passed peacefully with his family and close friends by his side,” according to a statement from Mickey Gilley Associates.

Gilley — cousin of rock ‘n’ roll pioneer Jerry Lee Lewis — opened Gilley’s, “the world’s largest honky tonk,” in Pasadena, Texas, in the early 1970s. By mid-decade, he was a successful club owner and had enjoyed his first commercial success with Room Full of Roses. He began turning out country hits regularly, including Window Up Above, She’s Pulling Me Back Again and the honky-tonk anthem Don’t the Girls All Get Prettier at Closing Time.

Overall, he had 39 Top 10 country hits and 17 No. 1 songs. He received six Academy of Country Music Awards, and also worked on occasion as an actor, with appearances on Murder She Wrote, The Fall Guy, Fantasy Island and The Dukes of Hazzard.

“If I had one wish in life, I would wish for more time,” Gilley told The Associated Press in March 2001 as he celebrated his 65th birthday. Not that he’d do anything differently, the singer said.

“I am doing exactly what I want to do. I play golf, fly my airplane and perform at my theater in Branson, Missouri,” he said. “I love doing my show for the people.”

‘Urban Cowboy’

Meanwhile, the giant nightspot’s attractions, including its famed mechanical bull, led to the 1980 film Urban Cowboy, starring John Travolta and Debra Winger and regarded by many as a countrified version of Travolta’s 1977 disco smash, Saturday Night Fever. The film inspired by Gilley’s club was based on an Esquire article by Aaron Latham about the relationship between two regulars at the club.

“I thank John Travolta every night before bed for keeping my career alive,” Gilley told the AP in 2002. “It’s impossible to tell you how grateful I am for my involvement with Urban Cowboy. That film had a huge impact on my career, and still does.”

The soundtrack included such hits as Johnny Lee’s Lookin’ for Love, Boz Scaggs’ Look What You’ve Done for Me and Gilley’s Stand by Me. The movie turned the Pasadena club into an overnight tourist draw and popularized pearl snap shirts, longneck beers, the steel guitar and mechanical bulls across the country.

But the club shut down in 1989 after Gilley and his business partner Sherwood Cryer feuded over how to run the place. A fire destroyed it soon after.

An upscale version of the old Gilley’s nightclub opened in Dallas in 2003. In recent years, Gilley moved to Branson.

He was married three times, most recently to Cindy Loeb Gilley. He had four children, three with his first wife, Geraldine Garrett, and one with his second, Vivian McDonald.

A Natchez, Mississippi, native, Gilley grew up poor, learning boogie-woogie piano in Ferriday, Louisiana, alongside Lewis and fellow cousin Jimmy Swaggart, the future evangelist. Like Lewis, he would sneak into the Louisiana clubs to listen to R&B music. He moved to Houston to work construction but played the local club scene at night and recorded and toured for years before catching on in the ’70s.

Gilley had suffered health problems in recent years. He underwent brain surgery in August 2008 after specialists diagnosed hydrocephalus, a condition characterized by an increase in fluid in the cranium. Gilley had been suffering from short-term memory loss and credited the surgery with halting the onset of dementia.

He underwent more surgery in 2009 after he fell off a step, forcing him to cancel scheduled performances in Branson. In 2018, he sustained a fractured ankle and fractured right shoulder in an automobile accident.

Source: Voice of America

Troy Kotsur made history on Sunday as the first deaf man to win an Oscar for his role in “CODA,” and Ariana DeBose took the supporting actress trophy for “West Side Story” as Hollywood returned to all-out glitz at this year’s Academy Awards.

In “CODA,” an acronym for “child of deaf adults,” Kotsur played Frank Rossi, the father of a teenager who struggles to help her family’s fishing business while pursuing her own aspirations in music.

“This is amazing to be here on this journey. I cannot believe I am here,” Kotsur said in a heartfelt speech delivered in sign language as he accepted the supporting actor honor.

“This is dedicated to the deaf community, the ‘CODA’ community and the disabled community. This is our moment,” he added.

The only other deaf person to win an Oscar was Kotsur’s “CODA” co-star Marlee Matlin. She won best actress for her role in 1986 romantic drama “Children of a Lesser God.”

Supporting actress went to DeBose for playing the spirited Anita, who sings “America” in Steven Spielberg’s remake of the classic musical.

As she held her gold statuette, the Afro-Latina actress asked the audience to imagine her as a young girl “in the back seat of a white Ford Focus.”

“You see a queer, openly queer Latina, who found her strength in life through art. And that’s what we’re here to celebrate,” she said.

“So, anybody who’s ever questioned your identity. Or find yourself living in the gray spaces, I promise you this: There is indeed a place for us,” she added, referencing the moving song from “West Side Story.”

DeBose also thanked “divine inspiration” Rita Moreno, who earned the best supporting actress award in 1962 for playing Anita in the original movie version of the musical.

Beyonce opened the show by performing “Be Alive,” an Oscar-nominated song from the movie “King Richard,” about the father of tennis stars Venus and Serena Williams. She and her backup dancers, clad in sparkling yellow gowns, performed from a tennis court in the sisters’ hometown of Compton, California.

After going three years without a host, a trio was chosen to guide Sunday’s ceremony: Amy Schumer, Regina Hall and Wanda Sykes.

“This year, the Oscars hired three women to host because it’s cheaper than hiring one man,” Schumer joked.

“And for you people in Florida, we’re going to have a gay night,” added openly gay Sykes, referring to legislation in the state that limits LGBTQ discussion in schools and has been labeled by critics in Hollywood and elsewhere as the “Don’t Say Gay” bill.

A dark Western, “The Power of the Dog,” is battling the feel-good drama “CODA” for the prestigious best picture prize. A win by either movie would mark a milestone by handing the statuette to a streaming service.

Netflix Inc NFLX.O released “Power of the Dog” while “CODA” streamed on Apple TV+ AAPL.O.

Producers said they planned an upbeat show but will acknowledge the crisis in Ukraine, which has killed thousands and driven a quarter of Ukraine’s 44 million people from their homes. Actor Mila Kunis, who was born in Ukraine, is among the night’s presenters. Jason Momoa wore a handkerchief in the colors of the Ukrainian flag: blue and yellow.

Jessica Chastain, Nicole Kidman and other nominees donned a rainbow of colors for a ceremony with 2,500 gown- and tuxedo-clad attendees and free from last year’s pandemic restrictions. Nominee Kodi Smit-McPhee wore a light blue suit, while Chastain picked a lavender and gold gown with giant ruffles on the skirt. Kirsten Dunst and Marlee Matlin chose bright red.

After past complaints about a lack of diversity, two of this year’s four acting accolades may go to people of color. Will Smith is likely to earn his first Oscar for “King Richard,” awards watchers say, as is Ariana DeBose for “West Side Story.”

In a bid to draw more viewers, especially younger ones, after years of declining ratings, the show will add two awards, the results of fan votes for favorite film and scene. Some winners were announced ahead of the live show with their speeches edited into the show.

The best picture race hinges on whether the 9,900 members of the Academy of Motion Picture Arts and Sciences back a gothic psychological thriller or an uplifting story.

“Power of the Dog,” starring Benedict Cumberbatch as a repressed cowboy who torments his brother’s new wife, outpaced all movies with 12 nominations. It had been considered the leader until “CODA” landed top honors from the Screen Actors Guild and Producers Guild.

Source: Voice of America